ARTIST COACHING
Engage in a dialogue with artists seeking feedback on conceptual projects, portfolio editing, written statements, acquisition materials, and exhibition procedures. Reach out to schedule a consultation or portfolio review. $150/hour
(Image courtesy of The Curated Fridge)
“Frances is very knowledgeable and personable, delivering tons of information and listening carefully to students questions and proposals.”
“I have not yet caught my breath since our meeting Friday. Working with you is transformative for me. I am so grateful for your kindness and perceptive mind.”
CURATORIAL PROJECTS
Drawing from 15 years of gallery and museum expertise, I offer my services to curate exhibitions, assist artists in refining their body of work, establish inventory records, and develop strategies for data organization. Rates are tailored to suit each project's specific needs. $150/hour
(Image courtesy of Luis Lazo)
“So nice to spend the time with you today. The session brought some much needed clarity to my murky wanderings through art and career. Thank you.”
“This was a wonderful show - so honored to be a part of it with other amazing pieces. The presentation of the works was very deliberate and engaging”
“Your eloquence and the personal and expressive way you speak about images and photography reignited my love for the medium. I could have listened to you for hours. Thank you!”
INSTALLATION DESIGN
Offering expertise in image production, framing, layout design, and installation, I provide guidance for museum and gallery exhibitions, as well as personal and commercial spaces. I have a special love for creating grids and salon-style walls to stir visual impact and celebrate storytelling. $150/hour
“I am so happy to be able to share my work with you and grateful for your talent in helping me craft my work. Moreso, I appreciate your investment in to it. I felt that you genuinely saw me through my photos and that is important to me.”
“I sought to deepen my knowledge of the curatorial process and this program helped me achieve that goal. I now have a better understanding of the collaborative efforts involved in working with other artists to conceptualize a theme and curate an exhibition.”